Originally posted by stormcrow
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- Copyright as we know it began with the Statute of Anne, a "censorship in exchange for monopoly" pact between the British Crown and the printing guilds.
- Modern copyright began when the U.S. founding fathers decided to try to repurpose the concept of copyright for the public good by using it to incentivize the enrichment of the public domain.
- Modern copyright was originally opt-in.
- Modern copyright was originally intended to incentivize the progress of "science and the useful arts" (ie. mapmaking) and originally only applied to books and charts. (My understanding is that copyright on music and movies was established through the argument that, if the sheet music and scripts were copyrightable, then the phonorecordings and films should be too.)
- The U.S. became a cultural juggernaut by ignoring British copyrights.
- Hollywood is in California because it was beyond the reach of Edison's patent lawyers.
- Copyright is a temporal anomaly. Professor Larry Lessig has done some great talks on how, before phonorecording and film, all music and performance art was like the world of fanfiction.
- Recipes and jokes aren't copyrightable, and chefs and comedians still make money, so why should other kinds of artists get special treatment?
- Despite the RIAA and MPAA's best efforts, we still draw an instinctive distinction between scarce goods (eg. you have to be taught to share a ball) and non-scarce culture (eg. if someone walked up to you and demanded a license fee after you retold a joke to your friend, you'd look at them like they escaped from a mental hospital).
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